[cs_content][cs_section bg_color=”rgb(136, 134, 134)” parallax=”false” separator_top_type=”none” separator_top_height=”50px” separator_top_inset=”0px” separator_top_angle_point=”50″ separator_bottom_type=”none” separator_bottom_height=”50px” separator_bottom_inset=”0px” separator_bottom_angle_point=”50″ style=”margin: 0px;padding: 45px 0px;”][cs_row inner_container=”true” marginless_columns=”false” style=”margin: 0px auto;padding: 0px;”][cs_column bg_color=”rgb(136, 134, 134)” fade=”false” fade_animation=”in” fade_animation_offset=”45px” fade_duration=”750″ type=”1/1″ class=”cs-ta-center” style=”padding: 0px;”][x_video_embed no_container=”true” type=”16:9″][/x_video_embed][cs_text class=”cs-ta-center”]When Gazi Khattab began practicing Arabic calligraphy as a child, he would go downtown to study the plethora of shop signage and advertisements on display for guidance and inspiration. This exposure to the environmental street décor of Jordan’s capital city eventually led him to begin collecting and preserving old signs—some of which are now on display in his Old Signs of Amman Museum in the heart of the city.
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